Showing posts with label The Damned. Show all posts
Showing posts with label The Damned. Show all posts

Friday, June 6, 2008

Friday Night Fights: Damned tough!

Morgan is the kind of guy who tends to operate on the seedier side of the docks, has a cursed gangster for a brother and gets into fistfights with the occasional demon from the pit — you can bet he's not gonna take guff from anybody.

Click to Behemoth-size!

OK ... maybe he'll take a little guff.


To get his little demons to behave, the Devil tells them stories about Bahlactus.

Following a link? Read more Great Caesar's Post here!

Panels from The Damned: Prodigal Sons #2
Cullen Bunn, writer; Brian Hurtt, artist

Wednesday, April 16, 2008

The Pull List (4-16-08): Return of The Damned

There doesn't seem to be a lot of comics on this week's pull list, but I'm honestly excited about reading every one of these titles. Like what, sez you? I sez — to the list!

The Damned: Prodigal Sons #1 (of 3): First off, I've got a complaint: Why didn't I know about this until I checked the solicitation list? Am I going to have to start buying Previews now? I would've hoped Oni Press would be promoting the hell out of this, because if there was ever a book that deserved it, it's The Damned.

The first limited series ingeniously blended 30s gangster noir and demons from hell to produce a creepy crime thriller with all the grit of a cigarette ground under your heel. Brian Hurtt's black-and-white artwork has always been a favorite, but his use of shadowing and stark contrasts in scenes that are detailed but never crowded look like his best work to date. And believe me, that's saying something.

Cullen Bunn had impressed me with the previous series, but his scripting on Prodigal Sons seems to have taken him — and his characters — from solid to self-assured. It feels as if Bunn has really gotten under the skin of his various mobsters, gunsels, molls and demonic hitmen, and his writing is muscular and fluid. Things start off fast and brutal in this book, and I get the feeling it's going to be that kind of ride straight to the finish. Strap in and go read the preview.


The rest ...

The Brave and The Bold #12

Captain America #37

Cthulhu Tales #1

Infinite Horizon #3 (of 6): I love this book — go read the preview of issue #1.


Trading up ...
(Titles I either am, or will be, picking up in trade)

Annihilation: Conquest #6 (of 6)


Maybe ...

'76 #3 (of 8): Is this any good? The fact I don't remember hearing anything about this title makes me leery, but I like the blaxploitation feel so I'll be flipping through it in the shop.

Iron Man: Legacy of Doom #1: On the plus side, there's Doctor Doom taking Iron Man to hell. On the negative, it's apparently the "long-awaited conclusion of 'The Camelot Legacy.'" I don't even know what that means.

Pigeons From Hell #1 (of 4): Joe R. Lansdale is one of my favorite writers, and the idea of him adapting a Robert E. Howard horror story called Pigeons From Hell might be more than I can resist. Judging just from the preview, I'm not sure what I think about the art (it seems to have a real 90s-era Vertigo vibe to it) but the real test will be the actual horror scenes. I've got my fingers crossed.

Thursday, April 10, 2008

Black and white and dread all over?

When the latest 12 rounds of Friday Night Fights ended about a week ago, ringmaster Bahlactus laid down the ground rules for the next bout by declaring all entries had to be in black and white. This, of course, made me think of Joe.

Joe is a friend of mine who I used to work with at a comic shop here in town. He's a great guy and has some of the best stories I've ever heard, not to mention a mean Schwarzenegger-as-Conan imitation. He's also a big comics fan, and like a lot of us he's got his quirks. His love of Batman is enormous, and his full-on obsession with sidekicks is even bigger. The guy loved him some Spoiler, and he was pissed when DC killed her off.

But the thing that threw me off was his refusal to read anything in black and white.

I'd seen this attitude before, of course. But it surprises me every single time. I don't get it. What is it about black and white comics that makes people — who will otherwise read just about any crap they come across — suddenly and violently allergic?

My theory is a combination of fanboyism and indieism (it's my theory, I can make up words if I want). See, I think a good portion (if not nearly all) of the comic reading population starts out with superhero comics. I know I did. And I'd guess that a chunk of those folks never stray too far from that genre.

(Quick aside: Can we all agree that comics are a medium and there are different genres within that medium? Thanks, that's been bugging me.)

Historically, these comics are in bright and energetic full color, which makes sense considering the stories tend to be cranked up to 11. It fits. So-called indie comics, on the other hand, are often printed in black and white. A lot of that has to do with smaller publishers and printing costs (as a very rough example, consider how much it costs to make a regular black and white copy versus a full-color copy at Kinko's), and sometimes the type of stories many indie comics are telling are better suited to black and white. It helps set the tone for the story.

Here's the crux of the problem, I think: Indie comics have a reputation. Even people who know better tend to think of words like "navel-gazing," "autobiography" and "whining emo-ass" when they hear the phrase "indie comic." They also think "no color." Right or wrong, a lot of people equate black and white with these preconceived notions and reach a simple conclusion: Black and white equals boring.

Which is a shame, because while there are some painfully self-referential black and white books out there (just like there are corny, immature and exploitative superhero books giving the good stuff a bad name), there's some excellent reading these people are missing out on. Just off the top of my head there's the Scott Pilgrim series, the Queen and Country series, Wasteland, The Damned, Pantheon High, Local, Emo Boy, Rex Libris, Phonogram, Action Philosophers and The Nearly Infamous Zango. And those books run from thriller to action to comedy to science fiction and everywhere in-between. Only one could be considered navel-gazey, but you've got to have a balanced diet, right? (Also, it's excellent.)

Don't get me started on the manga-hate out there.

Ultimately, it's a matter of preconceived notions that keep people from reading a black and white comic (and vice versa — it wouldn't kill the hard-core indie contingent to read Superman once in a while). Some comic book readers might think a black and white comic would be boring, but someone's buying all those Essentials and Showcases, right?

Which brings me back to Joe. At some point he got hooked on the Gunslinger Girl anime and tore through all the DVDs he could get his hands on. So one day we're at the counter and I overheard him talking to someone about the series.

"It's really, really good," he said. "But y'know, I read the first book and there was a lot of detail in there that was cut from the anime. There was a lot more about the characters' backgrounds. Really interesting."

My ears pricked up like a dog hearing a can opener: Was Joe saying he read the manga version of the series? The black and white manga version of the series?!

Joe gave me a look that made me think he was going to pat my head like an indulgent uncle.

"Yeah I read the book," he said. "It's good."

I'm curious to know what you think: Do you read black and white comics, or do you have a strict color-only policy? Do you only read black and white? Or are the racks your comics smorgasbord, where you pick up a little bit of everything? There's a new poll you can answer on the right, and I'd love to hear your opinions in the comments.

Wednesday, March 14, 2007

The Pull-list: 3-14-07

Wow, it looks like a short week for the Post. Luckily for me, this week's all about quality, not quablah-blah-blah! Let's go!

52 #45: Funny how things turn around, isn't it? Not funny-ha-ha, more like funny oh-my-God-am-I-stepping-on-intestines? For the most part, I'm still enjoying 52, but I don't think I'd say it's as much fun as it had been in the first two-thirds of its run. The storyline has taken a much darker turn in the last few issues, and the transition has been a little jarring. Overall it continues to be a solid story, and honestly there hasn't been anything in the plot that doesn't make at least some kind of sense, but shouldn't readers get a little more warning before you start slapping them around? Then again, you can bet Black Adam's gonna snap and that bastard's crazy.

B.P.R.D.: Garden of Souls #1 (of 5): Mike Mignola long ago set a high bar for himself and his collaborators with the world of Hellboy, and that bar keeps inching up. Subtle horror-action stories stay true to the background while still building on it, and at the same time weave in almost invisible plot lines between stories to keep everything tied together. Top it off with well-chosen art and you've got a modern classic that continues to build on it's own mythology. Don't believe me? Blasphemer! Why don't you check out the preview, you dirty non-believer. Dirty, dirty ... um ... sorry, what were we talking about?

The Damned #5: Hands-down, this has been one of my favorite mini-series of the last 12 months or so; if there is a god - or a devil - there'll be more of The Damned after it wraps things up with this final issue. I've mentioned before how much I've enjoyed this series, and it's a gift that keeps on giving. A nice little noir mystery is wrapped up in a world of demon gangsters, an undying flunky anti-hero and an ex-girlfriend who's now the moll of a mob boss (you decide which is the most dangerous). And did I mention that the art is awesome? 'Cause it is.

Wormwood: Gentleman Corpse #6: Huh ... the list is certainly heavy on the supernatural this week, ain't it? Can I help it if there's been a nice little rise in quality horror-based comics? Can I?!? The answer is yes, by buying the good stuff like Wormwood and encouraging everyone out there to fork it over, too. Look at this preview. There's great, tongue-in-rotting-cheek characters, a fun story with an undercurrent of menace, and beautifully unique artwork that gets better with every issue - seriously, how can you resist pit-fighting leprechauns? Or a demon-worm occupying the corpse of a little girl? You can't, so just stop trying.

Friday, November 10, 2006

Damn you, Favorite Panel Friday!


Looking at this panel, you know things aren't going to turn out well for somebody. But take a closer look at it, and you'll see the energy and details that make The Damned such a great fusion of spookhouse horror and gritty crime noir.

Besides the obvious menace of one big, friggin' demon, the Prohibition-era atmosphere is thick in this shot from The Damned #2. Look at the way our little anti-hero Eddie is already reaching for his gun. Look at the crates and warehouses and scattering sea gulls that remind the reader they're at the docks, and that THE DOCKS ARE NOT A GOOD PLACE TO BE.

The Damned is laced with an undercurrent of menace, whether it's a scene involving mobsters from hell or a rough kiss delivered with one arm twisted behind your back, and it all makes for a hell of a fun read. I've also been a fan of Brian Hurtt for a while now, so it's nice to see him making a reappearance so soon after Hard Time got the unwarranted ax (check out his excellent work on Queen & Country, too). Hopefully, this collaboration with author Cullen Bunn will just be the first of several mini-series for The Damned.

The Damned #2: Cullen Bunn, script/story; Brian Hurtt, art/story